It's...strange. It's not as though I wasn't aware that the dead can be returned to life here, but...
I wouldn't have guessed that it would've affected me the way that it has, seeing Fujisaki alive again. Not that it's about my feelings to begin with, but.
Truthfully, I don't remember being particularly sociable toward her, but...her death occurred relatively early in the killing game, so there was less opportunity for it, I suppose.
I was the one who investigated the body, so you can imagine the unusual position that puts me in presently.
Ah. What I meant was...that was one of my regrets. That I didn't try harder to connect with my classmates back then, and by the time I knew better, it was already too late for Fujisaki-san.
No. I doubt that's something anyone would want to know, don't you think?
take an interest in her hobbies people usually love to talk about what they're into even if it doesn't make sense to you, it's important to them sometimes that's enough
you'll get the hang of it you haven't had a lot of opportunity for friends but you have it now
monteverdi's are my favorites, but in particular the one i always go back to is l'orfeo it's basically an opera about orpheus even though the names are a little different orfeo basically being orpheus for example it comes in five acts so it's long but god the music i'd share it if it could but i don't have anything from home here
i like the drama of it no, it's more like an opera is such an unabashed expression of the self. loud and full of character. usually it's dark and difficult, but bittersweet. this one in particular, maybe it's because i always found the subject of love to be hard but relatable.
And it's important to listen to the overture, because that's where you'll hear all the leitmotifs that will come into play later?
I assume the opera ends the same way the story it's based on does. Orpheus doesn't succeed in his aims because of his own failings, and perishes later from his sorrow.
it's always important to listen to the overture. especially if you like clues.
it's not dissimilar. technically there are two endings, but usually the one performed includes apollo coming down and taking orfeo to the heavens so he can see his lover's likeness in the stars. he ascends after that.
You'd be surprised how often criminals resort to classical references out of a desire to appear cultured and elite. Grandfather stressed the importance of knowing them. I had a similar experience with one of my
with someone else, and tarot cards. He was surprised I knew a relatively obscure reference to something about the tarot. But that's the sort of symbology that criminals love to draw on.
But on second thought, I probably don't have to tell you any of that, do I?
you dont but we have that kind of conclusions in common i think
dramatic assholes who consider themselves cultured using symbolism to draw parallels god it's dumb but they eat that shit up for sure
but i like opera for itself for what it is and what im bad at i feel like i can get lost with it. get a little peace where i cant otherwise. even around my friends i'd put on my headphones and just kind of co-exist with them i couldn't keep up emotionally i guess
When you put it like that...I think I would like it, too.
The point of the opera is to inspire emotion, and to resonate with the viewer, correct? It sounds nice, to sit in a quiet dark theater and just...experience something like that, in a controlled setting and an unobtrusive manner.
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but good thing they got you and their family
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I wouldn't have guessed that it would've affected me the way that it has, seeing Fujisaki alive again. Not that it's about my feelings to begin with, but.
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especially about your friends.
knowing it was possible is one thing, actually experiencing it is another
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I was the one who investigated the body, so you can imagine the unusual position that puts me in presently.
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that's not nothing.
yeah that would make sense.
does she know you did?
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No. I doubt that's something anyone would want to know, don't you think?
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no i agree. good on you for not sharing that part. i sure wouldnt.
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I'm not very good at that part, yet, though.
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people usually love to talk about what they're into
even if it doesn't make sense to you, it's important to them
sometimes that's enough
you'll get the hang of it
you haven't had a lot of opportunity for friends but you have it now
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You don't mind if I practice on you, do you?
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ha
sure
come practice on me
i like you though so i'll go easy on you
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it's basically an opera about orpheus even though the names are a little different
orfeo basically being orpheus for example
it comes in five acts so it's long but god the music
i'd share it if it could but i don't have anything from home here
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If I were being difficult, I would draw a conclusion of my own. But as a friend, I would like to hear you explain it for yourself.
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no, it's more like
an opera is such an unabashed expression of the self. loud and full of character. usually it's dark and difficult, but bittersweet.
this one in particular, maybe it's because i always found the subject of love to be hard but relatable.
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I assume the opera ends the same way the story it's based on does. Orpheus doesn't succeed in his aims because of his own failings, and perishes later from his sorrow.
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it's not dissimilar. technically there are two endings, but usually the one performed includes apollo coming down and taking orfeo to the heavens so he can see his lover's likeness in the stars. he ascends after that.
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you're right about calliope though
good job
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with someone else, and tarot cards. He was surprised I knew a relatively obscure reference to something about the tarot. But that's the sort of symbology that criminals love to draw on.
But on second thought, I probably don't have to tell you any of that, do I?
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dramatic assholes who consider themselves cultured
using symbolism to draw parallels
god it's dumb but they eat that shit up for sure
but i like opera for itself
for what it is and what im bad at
i feel like i can get lost with it. get a little peace where i cant otherwise.
even around my friends i'd put on my headphones and just kind of co-exist with them
i couldn't keep up emotionally i guess
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The point of the opera is to inspire emotion, and to resonate with the viewer, correct? It sounds nice, to sit in a quiet dark theater and just...experience something like that, in a controlled setting and an unobtrusive manner.
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well. i dont know them. they're weird alien rock ones. you know how it is.
but you get something similar.
i went on one with yuri.
i wouldn't hold it against you if you didn't care for it, but i'd still go with you, kid.
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